Good recipes, tried and true – and happy memories

Two Queensboro Cook BooksIf you read my post last night, you already know what this evening’s is about, and I hope you are as excited about it as I am. People, I am going to tell you about a culinary treasure and important bit of Queensborough‘s history. It is the Queensboro (note old-fashioned spelling; I wrote about that once, here) Cook Book, produced in 1966 under the auspices of the United Church Women at St. Andrew’s United Church in Queensborough. It is full of good recipes – and, perhaps more to the point, good memories.

And I am thrilled to report that, thanks to two friends and readers of this blog, I now possess not one but two copies! Barbara Martin and Isabella Shaw, both Queensborough natives (and, incidentally, closely related; Isabella is Barb’s niece) came to my rescue when I did a post about vintage church cookbooks in general, and more specifically my heartfelt wish to have a copy of the Queensboro Cook Book.

My mum, Lorna Sedgwick, has one, of course; she was a member of the UCW when the book was produced, as she pretty well would have had to be, being the minister’s wife and all. Mum has used her copy so much that pages are falling out and it is covered in stains and spatters; and isn’t that the sign of a good cookbook? And so she would never part with it.

But Barb had a spare copy that had belonged to her mother-in-law, and Isabella had a copy too, and both offered them to me. I hope they knew, and still know, how much that offer meant to me. Really, I am not exaggerating when I say I am thrilled to have that cookbook. I am a bit of a collector of cookbooks, both new and vintage, but this latest addition to the collection will probably always be the most precious.

Leafing through its pages makes me think of three things: first, of the good things to eat that came to our table in the Manse kitchen thanks to those recipes; second, of how Queensborough in 1966 truly was another time and another place – another world, really, one that’s disappearing even from memory, but that I hope with this blog to help preserve a little bit; and finally, of the women who worked so hard to feed their families good meals, even as they cleaned house, did church work, mended clothes, grew gardens, milked cows, and in some cases held down part-time or full-time jobs. As I said in last night’s related post, about two other treasures that Barb Martin has passed on to me, I think it is important to keep alive the memory and the legacy of those hard-working Queensborough women of the past. To honour those women’s history.

Okay: I hope I’m right in thinking that you’d like to get a peek inside the Queensboro Cook Book, and that’s just what I’m going to give you. Here is a gallery of photos featuring both the recipe pages and the advertising pages (which are classic):

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So there you go, people: a glimpse into a long-ago past, and the way we ate. It’s a little tribute by me (by way of Barb and Isabella, whom I thank once again) to the sturdy, hard-working, good-hearted women of the Queensborough of my childhood – who also happened to be excellent cooks.

And I guess that tribute has also turned into a reminder of how we used to refer to married women by their husbands’ first names, as though they had no names of their own. I miss a great deal about those days, but some things have definitely changed for the better.

Precious pieces of history – Queensborough women’s history

Hazzard's Church by Vera Burnside

“Hazzard’s Church,” by Vera Burnside. A wonderful drawing by a very talented local artist (more on that below), and especially important because it shows the long-gone old drive shed where the horses would have been parked during services in the church’s first century or so. (Am I dating myself if I tell you that I remember that drive shed? Oh well, what the heck.) This framed edition of the drawing belonged to Bobbie Sager, one of the brightest and most important lights Queensborough has ever seen, and a great friend of Vera. And now, thanks to a gift from Bobbie’s sister Barb, it hangs proudly in the kitchen of the Manse.

I received a truly wonderful Queensborough-themed gift a while back, one that moved me almost to tears. Actually, excise that “almost.” There were tears. And it is high time I told you about it.

In fact, it was more like a gift package, because there was more than one item. A bunch of stuff, actually, all of it delightful. But three of the items were, and are, particularly close to my heart, and I’ll tell you about them. Over the course of tonight’s post, and tomorrow’s.

But first let me tell you about the person who gave them to me. She is Barbara Martin, née Sager, a Queensborough-born girl and the younger sister of the late Bobbie Sager Ramsay, who ran one of our village’s two general stores and generally kept things in order here in Queensborough for years and years and years. I’ve written about Bobbie many times before, but here is a post that tells the story of Bobbie’s wedding, one of the classic Queensborough stories of all time. Not because of my telling of it, you understand, but because of Bobbie herself and how great she was, and how important to our community; and also of what a stunning surprise she pulled off when she decided to go and get married. In fact, just because I can, I am going to show you once again a wedding photo of Bobbie and her husband, Allan, just after they were married. Right here at the Manse:

Bobbie and Allan Ramsay wedding

The newly married Bobbie and Allan Ramsay, after a top-secret ceremony right here at the Manse. As I write this post I am not two feet away from where they were standing. And I was there for the great (top-secret) event! It gives me goosebumps sometimes, the history in this house.

Bobbie’s sister Barb is an absolutely lovely person who, though she now lives about an hour’s drive away, keeps close ties with Queensborough, is a go-to source of information about our hamlet’s history, and is kind enough to read and sometimes comment on my ramblings here at Meanwhile, at the Manse.

In fact, those ramblings kind of led to her gifts. For which I will forever be grateful.

The first came because I’d mentioned my love for a style of serving trays popular back in the 1950s and ’60s. Come on, you’ve seen them: black background and, against that, a design of big, colourful (usually pink and red) flowers. The ones I wrote about came in the form of TV trays; my maternal grandparents had those ever-so-useful TV trays, and I wish to goodness I still had them. After I wrote that post, another friend, Ernie Pattison – proprietor of the funky and great tearoom and restaurant The Old Omsby Schoolhouse up in northern Hastings County in the hamlet of Ormsby – presented me with a miniature version of such a tray; details here. (Ernie has a bunch of them, acquired at an antique store, and they’re used at The Old Schoolhouse when they bring you your check and then the change. A nice vintage touch in a lovely vintage place!)

Okay, so: one of the gifts I received from Barb was a full-sized version of such a tray. Here it is, and I think you will agree that it is beautiful:Barb's shower-gift tray

But when it comes to why this tray is meaningful for me, the fact that it’s beautiful pales in comparison to this: Barb received this tray as a shower gift before she was married, which just happens to be 54 years ago this very month. (Happy 54th anniversary, Barb and Don!) Those of you with good subtraction skills will have already figured out that that was 1960 – a very good year, if I do say so myself. (Perhaps, if you are a regular reader of Meanwhile, at the Manse, you can do your own math and guess why I say that.)

Anyway: where was the shower held? Why, Queensborough, of course; I’ve already mentioned that Barb was a Queensborough girl. And where, more specifically? Why, at the one-room schoolhouse; that historic (built 1901) building was (and is to this day) our community centre. It was where the Women’s Institute met, where euchre parties were held, where we have the annual spring pancake breakfast – it was at this past spring’s pancake breakfast that Barb passed on these treasures to me – and where community bridal and baby showers have taken place since … well, probably since 1901.

One time I wrote about the bridal-shower tradition in Queensborough as I remembered it from my childhood. That post is here, but the highlights from it are these:

  • All the women and girls from the community would come.
  • All the just-unwrapped gifts would be passed around the circle of attendees so that we could ooohh and aaahh over the tea towels and dishcloths and whatnot – hey, those were simpler times, and practical gifts were needed and welcomed!
  • And most importantly, the bows from all the gift wrapping were stitched to a paper plate by an able assistant sitting beside the bride-to-be, and at the end of the evening that blushing young woman would don the finished product and wear it as a colourful hat.

That, my friends, is fine old-fashioned community fun, all focused on (and enjoyed by) the women of the community. And I miss those days.

And I love to picture Barb – who is a very good-looking woman “of a certain age” now, and must have been a knockout as a young woman at the time of that bridal shower – wearing that made-for-her-from-the-gift-bows hat, and exclaiming over the gift of the very tray that now has pride of place at the Manse. Here is what Barb wrote me (in part) when I sent her a thank-you for the gifts:

“I was only to happy to pass the things on to someone who would really treasure them. The tray was a shower gift from Queensborough and we will be married 54 years this August so you know how old it is and if I ever find my book with the record of gifts in it, I would be able to tell you who gave it to me. I know Bobbie is up there thinking how wonderful for you to have the drawing and have it hanging in the old Manse. I so wish she had lived long enough to enjoy yours and Raymond’s company in the Village.”

Did I mention that this makes me cry? I just feel so honoured that Barb would not only pass on treasures from her own, and Queensborough’s, past, but also those kind words saying, basically, “Welcome (back) to Queensborough. You (and Raymond) belong here.”

Okay, on to “the drawing” that Barb mentions. It is a black-and-white sketch of Hazzard’s Corners United Church, a beautiful and historic old building just up the road from Queensborough that I have written about many a time; here and here are just two examples. The drawing is by the late Vera Burnside, a woman who in my view was, and is, like Bobbie (and Barb), a model of strength, beauty, brains, talent and resilience.

Vera, a schoolteacher by training, lived in the Hazzard’s area but, after that church closed in 1967, attended and was very active in St. Andrew’s United Church in Queensborough. She taught Sunday School (including brats like me), was active in the UCW, and just generally was busy doing useful and helpful things for church and community. And (to boot) was an accomplished artist! Here is my post about finding, and being fortunate enough to be able to purchase, a Vera Burnside original painting at an auction. That painting is not five feet away from me as I write this. It makes me happy, and happily reflective, every time I look at it. Which is many times a day.

As I write all of this, I am struck by how all the players and characters in the stories – Barb, Bobbie, Vera, the women and girls who took part in the bridal and baby showers at the schoolhouse, me – are female.

Yes, this is history. Community history. But also – it is women’s history. Women in tiny rural places like Queensborough. Their history – our history – often gets short shrift in the overall scheme of things. People, I think we are on to something, thanks to inspiration from my friend Barb and her wonderful gifts. Tomorrow, Part 2, and it’s a good one: the Queensboro Cook Book!

Uptight: Kingston (Ontario)’s very own TV dance party

dance party Does anyone out there remember Uptight? It was a weekly show that ran on CKWS-TV in Kingston, Ont., for a few years in, I’m going to say, the late 1960s and/or very early 1970s. Those were the days when I was growing up in Queensborough, and CKWS (Channel 11) was one of only three TV stations that the Manse’s gigantic old antenna (which, by the way, is still there) could pull in. So of course we watched quite a bit of Kingston programming on our rickety black-and-white set, including the classic half-hour religion show Gospel Temple.

Anyway, Uptight was a real period piece, and sadly I can find no trace of it whatsoever on the proverbial internet. But I am not making it up!

If you’re of my vintage or a little older, you probably remember the craze for dance shows. I assume American Bandstand was the granddaddy of them all, but apparently there were others (more on one of them shortly) – and I guess it was natural that small local TV stations like CKWS wanted in on the action too. But while American Bandstand and other big network shows brought in major stars to play live (or more probably lip-synched) music for a studio full of teenagers to dance to, I am pretty sure Uptight used recorded music. Which meant it would have been incredibly cheap content to produce, given that “the talent” – the dancers – came free of charge in the form of local kids who dressed up in their best minidresses and bell-bottoms and showed up for the taping.

Dancers on Upbeat

Dancers on the syndicated U.S. show Upbeat, which clearly was a model for Kingston’s own Uptight.

When I was looking for photos to illustrate this post, I came across references to an American dance show that I’d not heard of before but that was apparently very well-known. According to the website upbeatdancers.com: “From 1964 to 1971 Upbeat was one of America’s top television shows, syndicated in over 100 cities. It was Simon and Garfunkel’s first TV appearance and Otis Reddings’s last. Nearly every major rock, soul and pop artist performed on Upbeat: The Who, Three Dog Night, Iron Butterfly, Steppenwolf, Kenny Rogers, James Brown, Sly & The Family Stone, The Temptations, Stevie Wonder, and many many more.”

Well, that’s all well and good, but the main role Upbeat plays in my little story this evening is that I suspect chances are good it gave the CKWS people the idea for the name of their considerably smaller-scale Canadian version.

Anyway, Uptight may have been of a modest budget and scale, but when I was a kid it was fun to watch. I mean, when you were nine years old in, say, 1969, 16-year-olds with long hair and paisley dresses and hip-hugger jeans doing funky dance moves were kind of awesome. Something to aspire to.

I remember one thrilling time when the story made the rounds – probably on the school bus – that some teenagers from our own local high school, Centre Hastings Secondary in Madoc, including one young Queensborough woman, had been bused to KIngston to dance on the show. We watched every second of that episode, so excited to see one of our own be a real TV star. Sadly, either she didn’t take that bus trip after all or the camera never alighted on her.

Anyway, it’s all a dim memory now. But I throught I’d throw it out there in case anyone else who might have been a CKWS viewer back in those more innocent days also remembers the fun of watching our local young people show their coolest moves on the dance floor.

You know what I miss in summer? Inner tubes.

Swimming in an inner tube

No, this is not me. But you get the general nostalgic idea. (Photo from a cool shop at Etsy.com)

With summer continuing to trickle through our fingers, and the end-of-season hot weather that we suddenly experienced early this week now almost completely dissipated, I thought I’d better seize possibly my last opportunity (for this year, at least) to offer up a seasonal thought. It is about: inner tubes.

Do you miss inner tubes? I miss inner tubes.

Not in my ordinary day-to-day life, of course; and it is within the realm of possibility that, had a couple of things not crossed my path recently, I would never have thought of inner tubes again. (Not being a cyclist. Am I right in thinking that only bikes have inner tubes any more?)

The first of the two inner-tube-related things to cross my path was two kids heading for the beach when Raymond and I were vacationing at the seaside in Maine early this month. As the kids walked happily along, they rolled in front of them modern plastic versions of what we kids used to use when we went swimming at the Sand Bar in Queensborough: rubber inner tubes from car tires. Nothing could beat those inner tubes as flotation devices, and what pleasanter way to spend a hot summer day than lollygagging in the river, floating around on one of them? Man, that was a good memory. While I’m sure the modern plastic ones are great, I don’t think anything can beat the larger size and the pleasant mild rubbery smell of the inner tubes. And remember how hot they’d get in the sun, and how good that felt against some parts of your skin even as other parts of your body (feet, butt, hands) were trailing in the nice cool water? That is good vintage summertime stuff, that is.

The other inner-tube-related thing that caught my eye was part of Evan Morton’s weekly column in the Tweed News. Evan is the tireless and irreplaceable curator of the Tweed and Area Heritage Centre, and an avid collector and cataloguer of all manner of local history, lore and artifacts. People are forever dropping off treasures they’ve come across in their attics and garages at the heritage centre, and it’s fun to read about the new (old) arrivals and Evan’s research on them in his column.

This bit was about such a treasure, a kit for patching inner tubes. I’ll let Evan tell it:

“One item was an ‘Ezy Seal’ vulcanizing tire patches tin, filled with the patches (and) manufactured in Kansas City, Mo. … ‘Clean and buff a space larger than patch around injury. Fill large holes with rubber from another patch. Remove backing and center patch over injury. Do not touch rubber with fingers. Clamp patch tightly and light fuel unit. After fuel has burned at least five minutes, remove clamp. NOTE: Use of cement is not necessary but will insure permanency on synthetic tubes.’ (Aren’t you thankful that you don’t have to do such patch work yourself any more?)”

Well, I never actually did do such patch work, but that paragraph in Evan’s column conjured up such a familiar and happy image for me. It is of my father, The Rev. Wendell Sedgwick, patiently patching inner tubes right here in the Manse kitchen. All of our family’s vehicles back in my Manse childhood – cars, half-ton truck, tractors – were old verging on ancient, so of course their tires were too. Which meant a lot of patching.

I am pretty sure Dad didn’t use the Ezy Seal system, though. Remember how the directions that Evan quoted said you didn’t need “cement”? Well, LePage‘s contact cement was an absolutely critical item in my dad’s tire-repair repertoire.

You know, here and now in 2014 I could be anywhere in the world and still “close my eyes and dream (me) up a kitchen” – the Manse’s kitchen, that is, and I’ve borrowed that line from the legendary Guy Clark‘s wondrous song Desperados Waiting for a Train – and I would instantly be able, in my mind, to smell the contact cement as Dad patched tires. As it is, however, I am not just anywhere in the world. I am right here at the Manse, and so I don’t have to dream up that kitchen; it is right here, and so am I. Again.

And thanks to a jog to the memory from some faraway beach-bound kids, and our treasured local historian, I am imagining once again that happy old contact-cement smell. And wishing inner tubes were still here.

Along with Dad to patch them.

Here is a downright poetic thing to do this long weekend

Purdy - Active Arts August Ah, the last days of summer. They are upon us, people. It is hard to believe how quickly July and August have passed. And now we have shorter days and cooler nights – and, looking on the bright side, the glories of autumn in North-of-7 Ontario soon to come.

But hey, we still have the long Labour Day weekend to look forward to! And this evening I am here to tell you about an event that you should attend, should you be of a literary bent, or of a local-cultural-events bent, or of a Prince Edward County bent, or really if you’re just interested in something cool and different to do, on the Saturday of this Labour Day weekend.

It is an event celebrating Al Purdy, perhaps Canada’s greatest poet and a local Hastings County boy (by way of Wooler – which, yes, is probably actually in neighbouring Northumberland County, but only just – and Trenton). Longtime readers will know that I am a huge fan of Purdy, in part because his famous poem The Country North of Belleville so perfectly describes the landscape where our beloved Queensborough and Manse are located. In fact, I’ve made so many references to Purdy and his work, and to Purdy-connected events, since this blog started that tonight I’ve gone and got myself organized and created a new Al Purdy category right here at Meanwhile, at the Manse. If you click on that category on the home page you’ll find all kinds of stuff by me connected to Al.

Anyway: the event I’m going on about is a fundraiser for the Al Purdy A-Frame Association, a non-profit group that has done a miraculous job of preserving and restoring the very rustic A-frame cottage that Al and his wife, Eurithe, built on Roblin Lake at Ameliasburgh. That cottage, as I’ve written here, was the place not only where Al wrote many wonderful poems, but where he and Eurithe welcomed generations of Canadian writers, both established and famous and unknown but up-and-coming. It is a very important place in Canadian literary history – and for those of us in Hastings and Prince Edward counties (and Northumberland County and Lennox and Addington too) it’s right here in the back yard.

While the cottage has been purchased and mostly fixed up, there’s still lots to be done – not only on the property, but to ensure the continuance of a new writer-in-residence program whereby young Canadian poets stay for a few months at a time at the A-frame, pursuing their literary work but also keeping the flame burning for Al and his legacy, and for the magic of poetry in general.

Now, I could tell you all the detaila about Saturday’s event – which takes place at Rednersville, on the shores of the beautiful Bay of Quinte – but you can get a lot of it from the poster that you see at the top of this post. And what you really should do is check out the entertaining and enticing stuff in posts here and here and here and here at the marvellous Purdy-themed blog In Search of Al Purdy, written by our brilliant friend Lindi Pierce. I urge you to go enjoy those posts  – and, if you’d like a good laugh, Al’s poem When I Sat Down to Play the Piano, which Lindi makes reference to in this one.

Raymond and I will certainly be on hand for the event, having been involved to a greater or lesser extent (greater for Raymond, considerably lesser for me) in the A-frame project for the past few years. We’d love to see you there – and to raise with you a glass of a new beer being made by Prince Edward County’s Barley Days brewery in honour of Al, and to financially support the A-frame. Its unusual name, A Sensitive Man, is taken from Al’s legendary poem At the Quinte Hotel, wherein he proclaims himself (even as he is drinking rather large quantities of beer at that classic old tavern) just such a man. As I’m sure he was.

Anyway, an afternoon of music, poetry, theatrical readings, food, celebration of Al Purdy, support of a good cause, and beer called A Sensitive Man – what more could you ask for on the last weekend of summer?

All it took was a Spirograph to make my day

Super SpirographOh boy, dear readers, did I ever make a yard-sale find this past weekend. The yard sale in question was on Cooper Road, just a few miles northwest of Queensborough, and I popped in on a whim. It was fairly late on in the day (in yard-sale terms) and I figured there wouldn’t be much left. But I struck pure gold! For just $1, I purchased a vintage Spirograph set!

Oh, and not just any Spirograph set. This is Super Spirograph. Which means it has more plastic circles and wheels and rectangles and whatnot than the regular edition does, with which to draw those wacky psychedelic patterns.

Now granted, a few of the parts are missing:

Inside the Spirograph box

As is the collection of coloured pens one needs to create the designs – though I suppose one could rustle up some replacements.

But truth be told I don’t have all that much interest in actually using the set. I am just thrilled to have this classic boxed pastime from the era of my childhood at the Manse, to add to our growing collection of vintage toys and games. It makes me happy just looking at it.

But you know what makes me happiest? Why, this – the original price tag:

Beamish price tag

And why does it makes me happy? Ah, I know longtime Madoc residents will know. Because it’s a price tag from the Beamish, the long-ago store on Madoc’s main street that sold all manner of wonders, from toys and games to candy and nail polish and clothes and whatever. (The building where it was located now houses a large dollar store, which I suppose is kind of the same idea as the Beamish – but the Beamish’s goods were, while not fancy by any means, considerably more mainstream and upscale than is dollar-store merchandise.)

I am just tickled to death to be reminded of that wonderful long-ago store. Where once upon a time (early ’70s, I’d guess) someone purchased a Super Spirograph set that was, many years later, to end up in my delighted possession. And bless that person’s heart for leaving the price tag on!

Take my hostas. Please.

Manse hostas

Isn’t this just the most luxuriant spread of hostas? I know it makes me sound ungrateful (to the people who created this garden at the Manse), but it is a little too luxuriant for me. Time to unload some hostas!

I’ve mentioned many times how appreciative I am of the fact that people from St. Andrew’s United Church, Queensborough, planted and maintained a perennial garden for years before Raymond and I bought this old house. The result of that planting and maintenance being, of course, that we have a garden that looks pretty respectable despite my dire lack of knowledge about horticulture and my equally dire lack of time (this summer, at least) to do weeding and maintenance.

However.

People, I will admit it: I am tired of hostas. I mean, I get how they are great because they will grow and flourish no matter what the weather or sun/shade conditions are, and no matter what you do (or don’t do) to them. I totally get how people (St. Andrew’s church members) who planted a perennial garden at a Manse where the inhabitant (i.e. the minister) might or might not have the wherewithal to deal with it would install things (hello, hostas) that require zero attention.

But hostas do spread, it seems. And while I very much appreciate the green they bring to the northern portion of our perennial garden (where there are several planted, and flourishing), I feel the time has come – well, will have come by the time of next year’s gardening season – to put different things in that garden. Like maybe more phlox, such as I planted this year. And peonies. People, I want peonies!

But the hostas are taking up all the space.

So what do I do with them? I gather real gardeners (that is, people unlike myself) know how to divide and transplant hostas and other such things. I, on the other hand, haven’t got a clue. And on top of that, I don’t actually want to transplant half an existing hosta plant anywhere on the Manse property. I have enough hostas!

So, good gardening friends, please tell me what to do. If any of you who live in the area would like some or all of these hosta plants, you are more than welcome to them. They are very healthy, believe me. And if you don’t – that is, if you yourself have more hostas than you need or want, and I expect that includes pretty much anyone who has a garden – will you give me dispensation to yank them out and toss them?

Or – is that gardening sacrilege?

Oh dear. I have so much to learn about gardening. And also: so many hostas to get out of my life.